"It will have to be reimagined, in the way each actor has reimagined the role," she said. "That’s why it works for a thirty-something."īut what makes a Bond? Broccoli says he's now a more mutable figure than he used to be. "He isn’t some kid out of high school that you can bring in and start off," said Wilson. We do have a proper iron rule here too: nobody over 40 is getting near the role. He’s probably been in the SAS or something." He’s a person who has been through the wars, so to speak. "But trying to visualise it doesn’t work. " We’ve tried looking at younger people in the past," Wilson said. He did, though, confirm that they're looking for someone around the same age as Daniel Craig was when he became Bond. The casting process still hasn't started, Bond producer Michael G Wilson said at a BFI event celebrating 60 years since Bond made his debut in Dr No, "no matter what others tell you". In fairness, Broccoli had previously stated in May that "it’s going to take some time". The much yearned-for moment when the new James Bond is whisked along the Thames in a speedboat feels about as remote as it did just after No Time To Die. To kill some time before we find out for sure, though, we've got some guesses of differing degrees of wildness. You might as well get the Ouija board out to ask the spirit of Cubby Broccoli what he reckons. The question turns to who will be the next James Bond now he's swapped his Walther PPK for his P45.Īnd really: who knows. No Time To Die has been released, and Daniel Craig has been banged out of MI6. Longer hair looks best down, or partially down (the camera can’t see ponytails or buns behind your head).So, here we are at last. don’t get a haircut right before the shoot. When it comes to hair styles, think back to your grade school picture day rules.We always have translucent powder on hand, to soften any shiny spots. Make-up should be natural-maybe a slight step up from what you’d wear on an average day.Our microphones will pick-up any jingling noises if you talk with your hands. Keep accessories to a minimum, especially bracelets.But just in case, we still recommend leaving the yoga pants at home! A lot of our interviews are shot from the waist up, so bottoms may be less crucial.Even fabric type can make a difference-silk or satin, for example, can be too shiny with our bright studio lights.Busy prints and patterns (like paisley, tight pinstripes or polka dots) can be distracting.Pastels and other lighter colors can make subjects’ skin look gray or sallow on camera.Bright, saturated colors like ruby red, gold, emerald green or sapphire blue look great with all skin tones Solid colored tops, especially “jewel tones” will look best on camera.We want you to feel confident, and look your best on camera! When delivering his scripted lines “direct-to-camera,” note how Brad Barron has comfortable posture, is using his hands to emphasize his message, and speaks with a smile. But don’t try to memorize your answers! We want you to come across as natural and conversational-not stiff and robotic. If you *really* want them, we can provide the interview questions ahead of time.Out loud is key-it’s not enough to know what’s on the page, you need to get your muscles used to forming the words! If you’ll be reading off our teleprompter, be sure to practice reading your script *out loud* at least three times.It may feel like you’re an awkward cheerleader, but we promise it’ll look great. You’ll need to be more energetic and bubbly than you might be when in a regular conversation. The camera can sap the energy out of you (or at least how the audience perceives you).There’s no pressure! You can stop and start over as many times as you want until you feel they’re perfect-that’s the beauty of editing!.The lights and camera(s) can be distracting and intimidating… Take a deep breath, and we’ll just have a chill, normal conversation!.Whether you’re shy and soft-spoken or a professional public speaker-anyone can be great on camera! Here are a few tips to set you up for success. Thanks for trusting us with your video project, and being a part of the production process! We know that being on camera can be intimidating-but it doesn’t have to be! The team here at Veritas wants this shoot to be a unique and fun experience for you.
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